The Miranda DX-3 represents one of the final expressions of a distinctive Japanese camera brand that, while no longer widely known, played a notable role in the evolution of 35mm SLR photography.
A Brand with a Bold Vision
Originally founded as Orion Camera Co., Ltd., the company became known as the Miranda Camera Company in the 1950s and quickly gained recognition for its inventive and often unconventional approach to camera design. Miranda SLRs were known for features such as interchangeable pentaprisms, a modular build philosophy, and a strong mechanical foundation — all of which appealed to serious hobbyists and tinkerers.
Though relatively small compared to industry giants, Miranda carved out a niche for itself by focusing on functionality, affordability, and innovation, often introducing features in consumer-level models that were rare at the time.
The DX-3: Simplicity at the End of an Era
Released in 1975, the Miranda DX-3 was among the last models produced by the original Miranda Camera Company before the company ceased operations in 1976. Unlike earlier models, the DX-3 featured a fixed pentaprism, marking a shift toward a more simplified and cost-effective design as the company struggled to remain competitive in a changing market.
The DX-3 offers manual exposure controls, mechanical reliability, and a straightforward user interface — a camera built for those who value direct engagement with the photographic process. While it lacks automation, that is exactly what gives it its enduring charm today.
Lens and Accessories
The camera is often seen paired with the Auto Miranda EC 50mm f/1.4, a fast standard prime lens. Though Miranda lenses were not mass-produced on the same scale as others, they are known for their solid construction and surprisingly good optical performance, especially in the 50mm range. The f/1.4 version is particularly appreciated for its smooth bokeh and low-light capability.
Also visible in the accompanying photo is a cylindrical power adapter, connected via a coiled cable to the back of the motor drive unit, allowing automatic film advance. Next to it is the remote shutter release (R.C.), which plugs into the same port — a useful setup for tripod shooting, long exposures, or self-portraits.
A Camera Worth Rediscovery
Though the Miranda name disappeared from the camera world shortly after the DX-3 was released, this model remains a testament to a brand that once dared to be different. Its mechanical simplicity, coupled with a fast prime lens and thoughtful accessories, makes it an appealing choice for collectors and analog photography enthusiasts alike.
In a market once filled with giants, the DX-3 reminds us that innovation and personality often come from the margins. It may not be widely known today, but for those who shoot with it, it offers something increasingly rare: a direct, honest connection to the craft of photography.
